By Ben Cohen

A new event series intended to foster interdisciplinary discourse had its inaugural session last month.

Weaving together clinical psychology and journalism, “Grads Gab” was an evening of discussion emerging from two seemingly disparate research areas. The event was organized by the Ryerson Journalism Research Centre and supported by the Catalyst.

Coordinator Laura Howells said she created the event because, as a former master of journalism student, she only really interacted with students in her own class.

“That felt so limiting – the university has so many students doing fascinating research, and there’s so much value in discussing issues and ideas with people from different backgrounds,” she said.

“Why not encourage more of those connections and conversations?”

Grads Gab will be a semi-regular event at Ryerson. In each session, grad students from two different disciplines will talk about their research, followed by an informal group discussion amongst presenters and audience members.

The first Grads Gab on Nov. 27 featured presentations from Ryerson Clinical Psychology PhD candidates Stephanie Cosma and Emily Thomas, as well as Master of Journalism student Adam Chen. Students attended from a broad spectrum of disciplines, from Engineering to Musicology.

What followed was over an hour of conversation involving both presenters and audience members that Howells said was “thoughtful, spirited and made all sorts of interesting connections.”

“People attended from a range of disciplines, and brought such neat perspectives,” she said. “It was exciting and I think we achieved what we were hoping for.”

A strong crowd attended the first Grads Gab.

The research

Cosma and Thomas are both part of the SHiFT Lab at Ryerson (Sexuality Hub: Integrating Feminist Theory).

Cosma, who kickstarted the night, said she began her research on “hegemonic masculinity” after noticing the immense pressure on men to “be men” and present as such.

This pressure often manifested as a pervasive need for heterosexual men to engage in and brag about their sexual activity, Cosma found, in order to validate their masculinity.    

For her research, Cosma focused on advice from “pick-up artist” community websites, which coach men on how to attract and sleep with women. Cosma said these sites often foster the idea that a woman’s hesitation or denial to consent to sex could be “overcome” with the right techniques.

This segued into Thomas’ presentation; her work is in the areas of consent and unwanted sex.

Emily Thomas discusses her research during the first Grads Gab event.

Collectively, Thomas and Cosma’s research indicates that women are broadly positioned as responsible for receiving unwanted sexual experiences, while at the same time framed as passive recipients of sex, requiring men to interpret their bodies and minds for them.

“As a result, the responsibility for bringing up and negotiating consent is often placed on women,”  said Cosma. “Even though the conditions put forth in the cultural script are strategically designed for them to be silenced and overridden.”

During her talk, Thomas noted that media coverage of academia can be a double-edged sword, citing instances in which some of her research on consent was misconstrued.

Flowing from there, Chen delved into his work developing more immersive and inventive forms of journalism. This includes 360-degree video stories and live, theatrical works of journalism, which he believes can generate more audience engagement.

Chen previously produced 360 videos while taking part in a multimedia journalism course in Hong Kong offered by Ryerson last year. There, he captured a vigil commemorating the 1989 Tiananmen Square protests, as well as the stories of local street food vendors.   

Chen now works with the live journalism project stitched!,  a concept and current project for Sonya Fatah, assistant professor of Journalism at Ryerson University.

Stitched! asked a supercourse team at Ryerson to take the basic editorial idea for a narrative story and turn it into a performed piece.

Chen and the rest of that team will be debuting their work in March 2019. They hosted a focus group in the Catalyst on Dec. 13 to preview a sample of the performance.

Chen says he hopes to explore the possibility of digitizing this “performance journalism” and making it more widely available.  

On November 30, the Ryerson Journalism Research Centre hosted “Opening the Opinion Page,” a panel exploring the role and relevance of editorials and op-eds. Watch it here!

Panelists:

-Robyn Urback, CBC News columnist and editor of CBC’s Opinion page
-Andrew Phillips, Editorial Page Editor of the Toronto Star.
-Moderated by Ann Rauhala, Professor at the Ryerson School of Journalism.

 

Opinion editors opine on opinion journalism

By Ben Cohen

CBC and Toronto Star editors shared the stage at Ryerson last month, for a behind-the-scenes look at opinion journalism.

Robyn Urback, CBC News columnist and editor of CBC’s opinion page and Andrew Phillips, editorial page editor of the Toronto Star, took part in “Opening the Opinion Page,” a panel moderated by Journalism professor Ann Rauhala.

The Ryerson Journalism Research Centre organized the discussion to unpack the process behind editorial and opinion publishing, and exploring its role and relevance.

What makes a good editorial writer?

Each day, the Toronto Star publishes an unsigned editorial — and it’s up to Phillips and his team to determine the topic and craft the piece.

Phillips said successful editorial writers  should be “clear-minded.”

“You get an awful lot of people who have an opinion, but they’re fuzzy about how they got there,” he said. “To do (editorial writing) well, you need to have a rigorous mind and able to go to the heart of the matter of a complicated issue.”

“It’s a certain cast of mind, and not everybody has it,” added Phillips, who has been running the Star’s editorial pages since 2011. Before that, he served as editor of the Victoria Times Colonist and The Montreal Gazette, and was a writer and editor at CBC Television News and Maclean’s, as well as business editor of the Star..  

Selecting the writers and topics

When selecting pieces to run in the CBC Opinion page, Urback said she emphasizes balance and novelty.

“It sounds very cliché, but I’m always looking for writers who represent Canada,” Urback said. “Part of my job, and why I was hired on, is to work with people who may have never written a column before.”

Urback, who graduated from Ryerson with a degree in journalism,  cut her teeth writing opinion articles for Maclean’s Magazine. She went on to contribute to major news outlets across the country until joining the National Post as a columnist and editorial board member in 2013. In 2016, she left the Post to work at CBC.

Whereas Phillips largely edits the work of full-time and regular columnists employed by the Star, Urback’s contributors are often freelance and from all over the country.

Urback says the “luxury” of working for an online-only opinion page is that she can help inexperienced writers who may have fresher, valuable perspectives.

“I don’t have to fill two pages every day, so I’m spending time working with the grandmas out in St. Thomas to get their columns up-to-snuff and publishable,” she said.

Working for a daily newspaper, Phillips said news and current events-focused pieces usually nab the top spots in his section.

Phillips tries to keep a healthy mix of stories circulating his pages, he said, noting that there’s a tendency for certain events to attract more columns.

“When the St. Michael’s College scandal broke, after the first day or so, there was a flood of people wanting to sound off about it,” said Phillips.

With each piece he runs on a particular topic, Phillips said, the bar gets higher for subsequent pitches.

“People have to have something more to add.”

Opinions becoming news

Urback said she is mindful of the fact that opinion pieces tackling big events can often become news themselves. As an editor, she says the knowledge that you’re putting something out there that can change or derail the conversation is an “extraordinary burden.”

Urback cited one particular column, written about actress Gwyneth Paltrow’s controversial lifestyle brand Goop coming to Canada, that had its own impact on the news cycle.

“I had a million pitches about why Goop is pseudoscience, and that’s fine, I’ve read that piece a thousand times, but I got a pitch from a doctor who wrote a piece about how Goop appeals to women in particular,” she said.

Thee column’s thesis was that Goop is successful because it identified the fact that many women don’t feel heard when they go to the doctor. Urback said, after it was published, the author’s phone “blew up” with interview requests.

“It really became this huge thing,” she said. “The initial peg was a news story, ‘Goop is coming to Canada, let’s talk about it,’ but the angle that she found was so unique and I think it was so bang-on that it changed the conversation.”

Phillips said that at the moment, there is a “very active debate” on giving a platform to reviled people and opinions.

The line is narrower than he would like, he said, which is a detriment to people who enjoy opinion journalism and want to see diverse perspectives clash.

“Of course, there are people you don’t platform,” said Phillips.

“Different organizations might draw the line differently. For our purposes, an opinion might be perfectly reasonable, even well done, but I might think ‘you know, that might be a great piece in the Toronto Sun, but it isn’t really a Toronto Star piece.’”

“It’s branding. It doesn’t mean that the person has no right to speak, it just means that, as the Toronto Star, we choose not to particularly select that in our menu,” he added.

The editorial line is more difficult to draw at CBC, Urback said. Her concern when publishing a controversial piece is the repercussions it can have on its author – up to and including death threats.

“You have to talk to writers beforehand, especially if they’re new, and say ‘look, the CBC’s platform is humongous, you’re going to piss people off. Are you ready to do this?’” she said.

Urback rejected the initial industry concern that CBC’s opinion page would eclipse smaller news organizations already struggling to survive, saying that many Canadian opinion sections were already “devolving on their own.”

She says many newspapers began laying off columnists and shrinking editorial boards before CBC got into the opinion business.

“It wasn’t the CBC that was responsible for closing down the opinion section of the National Post. These places were shutting down already.”   

 

*Disclosure: The author’s sister wrote the aforementioned CBC article about Goop.

Dozens of students, professors and professionals packed a new research hub at Ryerson last month for “Rubix,” the Faculty of Communication and Design’s annual expo. Part science fair, fashion show and art exhibit, the event showcased FCAD’s scholarly and creative work and paired it with free wine and charcuterie.

This year’s event was also the launch of The Catalyst, a new, 5,000 square foot space in the Rogers Communications Centre that’s been in development since fall 2016.  The Catalyst is now home to more than 20 FCAD labs and centres, including the Ryerson Journalism Research Centre.

Greg Elmer, director of Catalyst, delivers a speech to attendees of Rubix 2018. (Ben Cohen).

“A lot of people have been asking about this space,” said Catalyst director, Greg Elmer, addressing the Rubix crowd.

“It’s a tremendous opportunity for us to advance our scholarly, research and creative projects, agendas and collaborations, and work with our students … It’s to encourage collaboration and interdisciplinary projects.”

In an interview, Elmer said many FCAD researchers have been spread across campus and isolated from each other.

“I think what you’re seeing today is really a homecoming of sorts and a tremendous opportunity for us to collaborate,” he said.

“You have all these natural collaborations and topics forming and that leads to serendipitous moments.”

Building the Catalyst cost about $1 million, funded by the federal government’s Post-Secondary Institutions Strategic Investment Fund (SIF), said Lauren Clegg, Ryerson media relations officer.

Rubix was the 22nd event at the Catalyst, during its first five weeks in operation. The space has also been host to panel discussions, lunch and learns and workshops.

Several projects were on display at Rubix, from a wide range of disciplines.

Local news an ‘urgent’ issue

Asmaa Malik, journalism assistant professor and director of the graduate program, was at Rubix to display “The Future of Local News: Research and Reflections,” a multimedia publication which chronicles the “struggles and successes,” of local news around the world, according to its website.    

Asmaa Malik displays The Future of Local News: Research and Reflections at Rubix 2018 (Ben Cohen).

“The issue of local news is very urgent,” said Malik.

“The situation is pretty rough, in terms of news outlets closing, people having less access to information and the effect this has on democracy and civic participation,” she added.

Malik said the project was spurred by the 2017 conference, “Is no local news bad news? Local journalism and its future,” organized by the Ryerson Journalism Research Centre.

April Lindgren, Ryerson journalism professor and research chair, presented the Local News Map. The crowdsourced digital map tracks the openings and closures of local news outlets across the country, and is updated every two months.

Lindgren says the map “addresses a significant gap in data,” which exists as a result of Canada’s lack of central tracking for local news.    

Rethinking police uniforms

Sandra Tullio-Pow, associate professor and program director at the Ryerson School of Fashion, debuted a series of fully formed police uniform prototypes.

She created the project, “Neighbourhood Policing: Designing Uniforms That Work,” in collaboration with fellow School of Fashion members Kristen Schaefer, Lucia Dell’Agnese, Pui Yee Chau, Tanya White, Jennifer Dares, Diana Lee and NaHee Kim.

Sandra Tullio-Pow (left), associate professor and program director at the Ryerson School of Fashion, and fashion masters student, Jennifer Dares (Ben Cohen).

The Toronto Police are looking to improve attire for officers in the new neighbourhood police program, Tullio-Pow said, and after bidding on a request for proposals, her team noticed a glaring issue.

“These officers (in the program) are either on foot or on bicycle, but they’re still in their standard uniforms,” she said.

“You can imagine, when you go to the gym you don’t wear your dress shirt and you don’t wear dress pants, and yet, those are the kind of shirt and pants they’re riding their bikes in.”

Her group then held targeted focus groups with police in order to better understand what they needed.

They then developed four lightweight, breathable uniforms featuring mesh ventilation and reflective material, which Tullio-Pow said are completely absent from what bike cops are wearing now.    

Making academia understandable with artificial intelligence

In another part of the Catalyst, Robert Clapperton, assistant professor at Ryerson’s School of Professional Communications, displayed his artificial intelligence project,“The Present Absent Author.”

“We’re building a natural understanding platform,” said Clapperton.“Basically, what you’d think of as a bot, but a little bit more complex of a bot,”

The platform will be able to read and peer-review academic papers and then be able conversationally answer questions about them.       

He added that the goal of the project is to eventually be able to enter even the most arcane scientific articles into the system, which would be able to make them understandable to a layperson through question and answer.  

Clapperton said the program is about 20 per cent complete, and is currently training and learning.

Building the Catalyst ‘from scratch’    

As far as setting up both Catalyst and the Rubix event, Elmer said there were “challenges every day,” likening it to moving into a new condo.

“Whenever you build something from scratch, you’re starting anew, you’re hiring new staff, you’re making sure that it’s a safe environment, you’re doing your best to welcome in as many people as possible from across campus,” he said.

“(The Catalyst) is a large space, we want it to be used, we want it to be welcoming, from undergraduates doing research straight up to the most senior research chairs. I think, really, the biggest challenge is to live up to the opportunity that we have here.”         

A Stitched Focus Group event
co-hosted by the Ryerson Journalism Research Centre

Time: Thursday, December 13, 7-9 p.m.
Location: Room 223, Rogers Communications Centre.

Please RSVP to secure your spot!

Magazines have traditionally been the home for well written, researched and fact-checked long-form stories.

But what if that kind of journalism was performed before a live audience?

stitched! is a live journalism concept and current project for Sonya Fatah, assistant professor of Journalism at Ryerson University.

stitched! asked this supercourse team to take the basic editorial idea for a narrative story and turn it into a performed piece.

The team will be debuting its piece in late March 2019. In this focus group, they are inviting people in the areas of theatre performance and tech, event production, magazine journalism, and multimedia to see a small sample of the performance.

This night is your chance to see the first preview of the content, offer your insights, ask questions and contribute to the collaborative spirit of the project.

All are welcome! Refreshments will be provided.

The team includes:
Sonya Fatah – stitched! Founder, Assistant Professor at Ryerson School of Journalism

Students: 

Ryerson University:
Qudisya Jabeen – RTA Media Production
Elizabeth Colleran – School of Performance
Adam Chen – Master of Journalism

London South Bank University:
Claudia Van-Nimwegen – BA Theater Technologies
Arthur Skinner – BA Theater Technologies

Ryerson grad students are doing some very cool work. But how often do you talk to peers in other faculties?

The Grads Gab is a chance to eat free food, learn what other students are doing, and talk to new people about new ideas.

Join us for our first session on November 27: Sex↔Psychology↔Journalism↔Theatre

Featuring:

  • Emily Thomas & Stephanie Cosma, PhD candidates in Clinical Psychology.
  • Adam Chen, Master of Journalism candidate.
When: Tuesday, November 27, 2018. 6 p.m.
Where: The Catalyst: Room 230, Rogers Communications Centre.
 All are welcome!